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Κυριακή 25 Φεβρουαρίου 2018

'What is Art?' - An inspiring text by Dimitris Mytaras



 Δημήτρης Μυταράς (18 Ιουνίου 1934 - 16 Φεβρουαρίου 2017

Τι είναι τέχνη;
του Δημήτρη Μυταρά


Art looks like a social phenomenon, but in essence it is an almost natural phenomenon, something like a volcanic eruption. It does not record history, neither does it make one; it does not precede its era, nor does it follow it. Art is love, in its broader sense; it is the expression and the overflow of completeness. It does not obey theories, which it constantly contradicts; it has its own reasoning and is not interpreted with words. Art is not combative or calm, but it is like the wind, which is sometimes fierce and strong and some others calm.

Art does not educate, but it does something more, it connects you to the mystery of existence. It does not pay justice, it is beyond it. Art cannot be socially engaged, but belongs to the innocent, whether it is about those that they are in prison, or the strict manager of the business around the corner.

Art addresses free people, but it is hard for one to realize who these free people are. Art is not interpreted neither by political, nor by artistic manifests. Schools, materials, styles, social reclassification, discussions, philosophies and the texts only deal with the stimuli which create Art. But none of them interprets art itself.

Art does not relate to marketing, auctions, and prices – they all are foreign bodies. Lascaux cave (Grotte de Lascaux) was not a gallery. The artist often ignores if what he has done is good or bad. Rarely do pioneers believe that they are pioneers.

Confident about their pioneering activity are those who follow them. Art is not demystified. “When you scratch a real work of art, it will bleed a bit,” one says. Many things imitate Art and many imitate artists. Many artists respond to questions they do not suspect. They respond to people who did not know the question. Education is one thing, but the spiritual development is another. Art is only interpreted by art, just like a pianist interprets musical composition. Art does not progress, we should not mistake it for science; it just changes faces and manners to express the same things every time. Art is something very simple and the artist is a wise man. Wise is the elderly woman in the apartment across the street, wise –not at all impossible- is the dean of the Academy.

See the faces of the people as they cross the road at a pedestrian crossing. See the worn walls with the torn posters and the colorful mottos. See the ragged clouds as the sun sets in the afternoon. See the tree across the street as the buds blossom waiting for spring. You will have made a good start and there is hope for you to feel the works of all times.

The message of the work of art is always poetic, even when it represents the massacre of Chios or Van Gogh’s boots. It is not necessary to feel and love art. It is just a privilege. But what a privilege!


original article in Greek:   'Δημήτρης Μυταράς, Τι είναι Τέχνη;, Εικαστική Παιδεία 2006, Τεύχος 22'
Translated from Greek by Adamantia Zafiropoulou


Το έργο του Pablo Picasso

Pablo Picasso 
25 October 1881 – 8 April 1973



                                         Pablo Picasso, La Dormeuse, 1932
                             [το έργο αναπαριστά τη μούσα του Πικάσο, Marie-Thérèse Walter]
                               oil and charcoal on canvas

Collection of the Artist
Bequeathed to his second wife Jacqueline Rocque-Picasso
Thence by descent to her daughter, Catherine Hutin-Blay
Pace-Wildenstein Gallery, New York
Acquired from the above by the family of the present owner on 29 June 1995


Estimate
£12,000,000 - 18,000,000 ‡ ♠

SOLD FOR £41,859,000


το Μάρτιο του 2018
η "κοιμωμένη" του Πικάσο πουλήθηκε σε ανώνυμο πλειοδότη μέσω τηλεφώνου για
£37 million (£41.8 million with fees)
σε δημοπρασία του λονδρέζικου οίκου Phillips
που ειδικεύεται σε ρολόγια, κοσμήματα κλπ.
αλλά πουλάει και έργα εικαστικών





                                    αυτοπροσωπογραφία όταν ήταν 15 χρονών





Ο Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso
φωτογραφία το έτος 1908



                                      οικογενειακή φωτογραφία τη δεκαετία του 1950



                                             στο στούντιό του στις Κάννες το 1956





                                   το κορίτσι με τα γυμνά πόδια   1895



                        The First Communion (1896), a large composition that depicts his sister, Lola.




                                      ταυρομαχία   1901



                   το μπλε δωμάτιο   1901



                                                 La Misereuse Accroupie    1902
                                                       η γονατισμένη ζητιάνα
                                                    Art Gallery of Ontario, Canada



                               αποκάλυψη της κρυμμένης τοπιογραφίας με ακτίνες Χ
                                 κάτω από  τη "γονατισμένη ζητιάνα"




                                                                   La vie 1903
                                                                      H ζωή



                                               αυτοπροσωπογραφία   1906
                         Autoportrait à la palette


                               προσωπογραφία της Gertrude Stein      1906



                                            Les Demoiselles d'Avignon 
                            οι δεσποινίδες της Αβινιόν
                                               1907
(The Young Ladies of Avignon, and originally titled The Brothel of Avignon)[2] is a large oil painting created in 1907 by the Spanish artist Pablo Picasso (1881–1973). The work portrays five nude female prostitutes from a brothel on Carrer d'Avinyó (Avignon Street) in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none is conventionally feminine. The women appear as slightly menacing and rendered with angular and disjointed body shapes. Three figures on the left exhibit facial features in the Iberian style of Picasso's native Spain, while the two on the right are shown with African mask-like features. The racialprimitivism evoked in these masks, according to Picasso, moved him to "liberate an utterly original artistic style of compelling, even savage force.


                     πορτρέτο του έμπορου τέχνης Daniel-Henry Kahnweiler     1910
Jonathan Jones of The Guardian called the work "probably the greatest work of modern art currently on view in London", mentioning it as an example of how Picasso "demolished everything people had believed a portrait to be for the past 2,000 years or so.



                                 Daniel-Henry Kahnweiler   1884-1979




Still Life with Chair Caning    1912














                                      Portrait d'Olga dans un fauteuil    1917
                                     О́льга Степа́новна Хохло́ва
Ρωσίδα χορεύτρια μπαλέτου, πρώτη συζυγος του Πικάσο, μητέρα του γιου του Παύλου




Parade, 1917
curtain designed for the ballet Parade.
 The work is the largest of Picasso's paintings.
 Centre Pompidou-Metz  2012






                                                 Femme assise   1920






                            Ο Κένταυρος Νέσσος & η Δηιάνειρα      1920
                                 γραφίτης σε χαρτί





                               αγώνας δρόμου   1922




                                                               Le Rêve 
                                                       το όνειρο    1932




                                                            La femme qui pleure   1937


                                         Guernica      1937




                          γάτα που καταβροχθίζει πουλί  1939




                                   Tête de Mort         1944





                                κατσίκα  1950







Massacre in Korea, 1951







                                            η Ζακλίν με τα ρόδα 1954
                         Jacqueline avec des fleurs
Ο Πικάσο γνώρισε την Jacqueline Roque όταν ήταν 72, κι αυτή 27.
Της χάριζε ένα τριαντάφυλλο κάθε μέρα επί έξι μήνες.
Παντρεύτηκαν το 1961.





ο ζωγράφος και το μοντέλο του 1963



Visage aux yeux rieurs    1969





                                                 αυτοπρωσοπογραφία  1971








Πέμπτη 22 Φεβρουαρίου 2018

The Mona Lisa described by Walter Pater



Ekphrasis
 The Mona Lisa described by Walter Pater


"The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea."

Τετάρτη 21 Φεβρουαρίου 2018

“Les Demoiselles d’Avignon” Is Picasso at His Most Revolutionary—and Most Reprehensible


“Les Demoiselles d’Avignon” Is Picasso at His Most Revolutionary—and Most Reprehensible

άρθρο στα αγγλικά
με φωτογραφίες έργων που επηρέασαν το μεγάλο καλλιτέχνη